The staff members at your local arthouse — they’re generally as unique as the films they show. And thank God for that. Because without their disregard for corporate uniformity, the experience of going to the cinema would not have that distinctive quality that makes each visit unique.

In this episode of INSIDE THE ARTHOUSE, we get to talk with Roger Christensen, a longtime movie theater employee who spent the last part of his 40-plus year career as the locally famous, beloved, and hilarious general manager of the Sunset 5 in West Hollywood. At a time when that venue was the hottest arthouse west of the Angelika Film Center in New York, he was there when indie icons like Todd Haynes, Lisa Cholodenko, and Doug Liman debuted their first films. And just to prove that it wasn’t all Oscars and accolades, he also bears some responsibility for the launch of the phenomenon of Tommy Wisseau and his cult B movie THE ROOM.

Downtown movie palaces fade away. New venues take over as the audience shifts geographically. Single screens give way to multiplexes. But through it all, the audience still craves that moment when the house lights dim and the screen comes to life. And for the people who work at the theater – the managers, projectionists, and box office and concessions personnel – they get to share in that journey of change and discovery that comes with seeing a great movie.

We had a lot of fun recording this episode, and we hope that you’ll also find it fun and illuminating. So join us as we share war stories with Roger Christensen, General Manager of the Sunset 5 in West Hollywood, on INSIDE THE ARTHOUSE, starting now…

The Teacher

After receiving an Oscar nomination for her short film, THE PRESENT, Palestinian British filmmaker Farah Nabulsi set out to take audiences on an intense, emotional journey into the Israeli occupied West Bank. Based on real life experiences of relatives, the story lifts the curtain on the hardships and difficult choices Palestinians have to make. 

Starring the renowned Palestinian actor Saleh Bakri in a moving performance, the film follows the character of Basem, a teacher with a buried personal tragedy. Throwing himself into his work, he forms a deep bond with his student, Adam.

Shot entirely in Palestine, told with humanity and empathy, Nabulsi brings these threads together, leaving us with a sense of compassion and hope for a future, even as the present reality seems to offer none.

THE TEACHER premiered at The Toronto Film Festival, received Best International Feature Award at Galway, Audience award at San Francisco International Film Festival, among many others; the film has received over a dozen awards!

Join us and our conversation with filmmaker Farah Nabulsi on her journey to make 

THE TEACHER  on INSIDE THE ARTHOUSE, starting now.  

Gaucho Gaucho

The filmmaking duo of Michael Dweck and Gregory Kershaw have taken us from the Long Island stock car racetrack featured in THE LAST RACE, to the oak forests of the Piedmont region of Italy in the Oscar-nominated THE TRUFFLE HUNTERS.

Their continuing exploration of tight knit subcultures fighting to maintain their place in a rapidly changing world turns next to the plains of Argentina and the community of gauchos who maintain a strong connection to their traditional ways, along with a profound relationship with their environment.

Their latest film, GAUCHO GAUCHO, merges the authenticity and immediacy of verité filmmaking with an operatic flair that results in a cinematic language that defies comparison. 

Join us Raphael Sbarge and Greg Laemmle as they sit down with Michael Dweck and Gregory Kershaw on the latest episode of Inside the Arthouse.