You may not be overly familiar with the 2000s TV show “To Catch a Predator,” but chances are you’ve heard about it. Originally starting as a segment on NBC Dateline, the Chris Hansen–hosted program became a cultural sensation, drawing huge audiences even as critics questioned its sordid tone and the ethical and legal issues surrounding its infamous “sting” operations.
Although “To Catch a Predator” went off the air in 2008, the rise of internet entertainment sparked a wave of copycat shows, and Chris Hansen himself returned with new true crime programming on streaming platforms. Yet, with all the popularity surrounding Hansen and these types of programs, the bigger questions — Should these shows exist? Are they truly helping solve problems, or exploiting them? — have often been ignored.
In PREDATORS, award-winning filmmaker David Osit (MAYOR, THE BALLAD OF LEFTY BROWN) shines a powerful light on this phenomenon. His documentary dissects why audiences are drawn to these programs, puts Chris Hansen and others under scrutiny, and challenges the ethics of entertainment disguised as justice.
Praised by critics as one of the year’s best documentaries — and already generating Oscar buzz — PREDATORS is a must-see for anyone interested in true crime, media ethics, or the intersection of entertainment and justice.
Join us for our conversation with David Osit, where we dive deep into his filmmaking process, the legacy of “To Catch a Predator”,and the cultural fascination with predator-hunting shows. On INSIDE THE ARTHOUSE, starting now…