Tag: Raphael Sbarge

Inside the Arthouse: The American Southwest

Posted on by Raphael Sbarge

Thank God for nature filmmakers. Sure, we could try to get ourselves out to some breathtaking wilderness. But would we really have the time—or the patience—to wait for a herd of elk to appear? Or the equipment to capture a shy family of beavers building a dam? And don’t even get me started on the vertigo that would stop me from watching a young condor soar above the Grand Canyon.

Thankfully, filmmaker Ben Masters and his team of cinematographers have done all of that for us. They’ve spent countless hours in the field, so that we can experience these wonders in under two hours—and for the price of a ticket.

THE AMERICAN SOUTHWEST is Masters’ third feature documentary, and it’s a stunning addition to his body of work. This time, he takes us along the mighty Colorado River, from its headwaters in the Rockies, through the Grand Canyon, and down to the Gulf of California. Along the way, we meet the signature species that call the river home, and we come to understand the delicate balance of this vital ecosystem.

The film not only helps us appreciate these creatures and landscapes, but also explores the impact we humans have on the river—and how we might become better stewards of our environment.

It’s a beautiful, meaningful film with something for audiences of all ages.

Join us now for our conversation with Ben Masters, Inside the Arthouse, starting now.

Inside the Arthouse: I know Catherine, The Log Lady

Posted on by Team Sbarge

For so many of us who grew up captivated by the strange, haunting world of Twin Peaks, the Log Lady was a mystery, a messenger, and somehow—comforting. But what we didn’t always know was that the actress who played her, Catherine Coulson, was so much more than her role. She was a beloved collaborator of David Lynch, one of the earliest female camera assistants in Hollywood, and someone whose quiet presence left a deep impression on everyone she worked with.

A new documentary titledI KNOW CATHERINE, THE LOG LADY is more than a portrait of a beloved character—it’s a revealing and heartfelt exploration of the woman behind the legend. Through rare archival footage, intimate interviews, and stories from those who knew her best, this film traces Coulson’s singular journey from the sets of avant-garde student films, her prolific career as a stage actress, to the heart of one of television’s most enigmatic creations.

At once a celebration and an act of remembrance, this documentary captures the spirit of a true original—someone who, like her famous counterpart, saw things most of us couldn’t and never stopped quietly guiding us toward something deeper, stranger, and more profound.

Join us with director Richard Green as we sit down with him to discuss his film, I KNOW CATHERINE, THE LOG LADY, on INSIDE THE ARTHOUSE, starting now…

Inside the Arthouse: Film Forum

Posted on by Team Sbarge

At INSIDE THE ARTHOUSE, we love discovering bold new voices and emerging filmmakers. But there’s something uniquely rewarding about revisiting a classic—whether it’s an old favorite or a legendary film you’ve always meant to watch. And seeing these films on the big screen in a real movie theater is the way they were meant to be experienced.

Repertory cinema in the U.S. has faced its share of challenges, from the rise of home video and streaming to rising urban real estate costs. Many iconic rep theaters have closed. But in recent years, there’s been a revival of interest in classic and cult films, shown theatrically in new restorations and 35mm prints.

One of the most influential figures in this movement is Bruce Goldstein, longtime repertory programmer at Film Forum in New York City and founder of Rialto Pictures. For over 50 years, Bruce has been a champion of film history—curating, restoring, and re-releasing cinematic landmarks. In early 2025, Rialto re-released Claude Lelouch’s A Man and a Woman, and coming soon is a brand-new 4K restoration of Jean-Jacques Beineix’s Diva.

We sat down with Bruce Goldstein in New York to talk about the past, present, and future of repertory film programming in the U.S.—and how he’s helped shape what American audiences get to see on the big screen.

Inside the Arthouse: Don’t Let’s Go To the Dogs Tonight

Posted on by Team Sbarge

As part of producing Inside the Arthouse, we see a lot of movies. And while many are compelling and well-made, naturally some of them stand out. Of all the films we’ve seen so far this year, DON’T LET’S GO TO THE DOGS TONIGHT has definitely moved to the top of the list.  

Based on a memoir of the same name by Alexandra Fuller, this powerful film has been brought to the screen by first-time director Embeth Davidtz. An actress who has worked with filmmakers like Steven Spielberg, Robert Altman, and Sam Raimi, Ms. Davidtz draws from her own experiences growing up in apartheid South Africa to bring striking authenticity to the story of a family of white farmers in Zimbabwe.

The film is told through the eyes of young Bobo — played with extraordinary depth by newcomer Lexi Venter — as she witnesses the political upheaval in a land on the brink of change.

A hit at the prestigious Telluride and Toronto International film festivals, DON’T LET’S GO THE DOGS TONIGHT is opening on July 11 in New York and Los Angeles before rolling out nationally.

You won’t want to miss our conversation with Ms. Davidtz where we discuss her journey from actor to filmmaker and the challenges of adapting this beloved memoir — on Inside the Arthouse, starting now…

Inside the Arthouse: FAMILIAR TOUCH

Posted on by Team Sbarge

As the new luminous film FAMILIAR TOUCH opens, we meet Ruth, an independent and self-assured octogenarian who is embarking on a journey of both mind and body. Her body is moving into a memory care facility. Her mind is evolving in ways that are hard for her family to understand. But as played by acclaimed actress Kathleen Chalfant, we vividly experience this journey through Ruth’s eyes. And Ruth is never lost. She just is where she is: in the moment.

Inspired by her experiences as a caretaker, writer-director Sarah Friedland has made a “coming of age story” and imbued FAMILIAR TOUCH with a spirit and depth that avoids the usual tropes that we associate with films about cognitive decline. Filmed almost entirely at a retirement community, which involved members and staff of the facility both behind and in front of the camera, FAMILIAR TOUCH feels “real” in a way that most films can only hope to achieve.

The film premiered at the Venice Film Festival, where it was awarded the Best Director and Best Actress prizes, and it is now opening in theatres across the U.S.

We love this movie and are so happy that writer-director Sarah Friedland and actress Kathleen Chalfant were able to join us to talk about making FAMILIAR TOUCH. So sit back and join us for our conversation on INSIDE THE ARTHOUSE,starting now…

Inside the Arthouse: A Photographic Memory

Posted on by Team Sbarge

What happens when a photograph, a home movie, or an audio tape is your only link to a family member you never knew?

This is the question at the heart of A PHOTOGRAPHIC MEMORY, a deeply personal documentary that follows journalist Rachel Seed on a multi-year journey to connect with her mother, Sheila Turner-Seed, who died when Rachel was just 18 months old.

The discovery of a rich archive of her mother’s work becomes the catalyst for Rachel’s investigation. Sheila was a trailblazing photojournalist whose work not only stands on its own but is also preserved in her recorded interviews with photography legends like Henri Cartier-Bresson, Cecil Beaton, and Gordon Parks.

 

As Rachel delves into this treasure trove of images and sounds, a conversation between mother and daughter begins to unfold across time. A PHOTOGRAPHIC MEMORY is a poignant exploration of universal themes like memory, grief, and the enduring power of legacy. This genre-bending film offers a haunting and delightful look at how we piece together the stories of those we’ve lost.

 

To learn more about the decade-long journey to create this remarkable film, join our conversation with filmmaker Rachel Seed on INSIDE THE ARTHOUSE, starting now.

Inside the Arthouse: The Queen of My Dreams

Posted on by raphaelsbarge_lf2krp

Having premiered at the Toronto International Film Festival, playing SXSW and many others, Fawzi Mirza’s luminous debut film, THE QUEEN OF MY DREAMS, opens in theaters exploding with color and sound.

Set against the rich, stylish backdrop of 1969 Pakistan, THE QUEEN OF MY DREAMS is a mother-daughter dramedy, that time-travels between generations to explore themes of cultural identity and family expectations.

At the center of the story is actress Amrit Kaur, who delivers an award-winning performance in dual roles as both mother and daughter—each navigating their own path between tradition and transformation.

Evoking the bold colors of classic Bollywood, THE QUEEN OF MY DREAMS is vibrant, emotional, and infused with humor. This is a film that will resonate with anyone who’s ever struggled to reconcile family, where they come from, and who they really are.

Join us for our conversation with the writer-director, Fawzia Mirza, on INSIDE THE ARTHOUSE, starting now…

 

Inside the Arthouse: Bad Shabbos

Posted on by raphaelsbarge_lf2krp

Did some say, “Comedy?” Right when we need it most, BAB SHABBOS is inviting you to dinner.

You didn’t have to be Greek to enjoy MY BIG FAT GREEK WEDDING. So it stands to reason that you don’t need to be Jewish to enjoy BAD SHABBOS.

Winner of the Audience Award at the 2024 Tribeca Film Festival, BAD SHABBOS has found favor both with ticket buyers and critics, who have given the film a 90% fresh rating on Rotten Tomatoes.

Written by Daniel Robbins and Zach Weiner, and directed by Robbins, the film boasts a terrific cast including Kyra Sedgwick, David Paymer, Milana Vayntrub and Cliff “Method Man” Smith.

Hollywood has largely abandoned comedy. But this indie gem more than fills the gap, providing laughs that take the familiarity of family getting together for a meal, and mines comic gold from a rather unexpected situation.

Writer-director Daniel Robbins joins us for a conversation about BAD SHABBOS, on INSIDE THE ARTHOUSE, starting now…

Inside the Arthouse Ghost Trail

Posted on by Team Sbarge

Every Spring in New York City, Lincoln Center hosts Rendez-Vous with French Cinema. An eagerly awaited festival for lovers of French film. Of the films we saw, Jonathan Millet’s GHOST TRAIL, stood out as haunting, immersive and truly memorable.  

Millet has been a photojournalist and documentary filmmaker up till now, and this, his feature film debut is a spy thriller, based entirely on true events.  The filmmaking is remarkable, visceral, suspenseful–  a political thriller that seethes with tension.  

With a plot that recalls the best spy fiction of Graham Greene and John le Carre, GHOST TRAIL is that rare film that combines the thoughtfulness of an arthouse film with the dramatic tension of a Hollywood thriller.  

Add extraordinary performances from Adam Bessa and Tawfeek Barhom, makes GHOST TRAIL something you won’t  want to miss as it opens in theaters across the US.  

Join us, “on the road” at Lincoln Center, as we sit down for a conversation with Johnathan Millet, in INSIDE THE ARTHOUSE, starting now.  

INSIDE THE ARTHOUSE: NORTHERN LIGHTS

Posted on by Team Sbarge

In the late 1970’s, when there was nothing like the indie film scene that we now take for granted, the film NORTHERN LIGHTS surprised the cinema world by winning the coveted Camera d’Or Award at the 1979 Cannes Film Festival.  

NORTHERN LIGHTS has the feel of an old black and white photograph discovered in an attic. The bitter-sweet story of young lovers caught up in a political struggle waged by farmers against the grain trade, the banks and the railroads, NORTHERN LIGHTS brings back a forgotten era of American history and evokes the austere beauty of the Northern Plains. 

Called “The greatest movie you will never see,” this rare and remarkable film has been lovingly revived by a team lead by IndieCollect for a gorgeous 4K restoration, and is now being brought back to North American arthouses by Kino Lorber.

In support of this re-release, we are very happy to welcome co-director Rob Nilsson for a discussion about this landmark film. Join us on INSIDE THE ARTHOUSE, starting now.